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home of the mönckebergSneak™
celebrating 31 years full of movie surprises!
community zur traditionellen englischsprachigen sneak preview in hamburg
immer montags um 20:30 Uhr im passage-kino an der mönckebergstraße
home of the mönckebergSneak™
celebrating 31 years full of movie surprises!
community zur traditionellen englischsprachigen sneak preview in hamburg
immer montags um 20:30 Uhr im passage-kino an der mönckebergstraße
| Sneak Cinema |
![[Passage-Kino]](/pics/passage-logo.png){kind=logo}
|
| Sneak VOTING | ||
|
| OV in HH
(english-language screenings in Hamburg) |
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|---|---|---|
Nov 13 - Nov 19 |
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| Savoy | ||
| "Wicked for Good" | ||
| Wed | 00:01 | |
| Wed | 13:45 | |
| Wed | 17:00 | |
| Wed | 20:15 | |
| Savoy | ||
| "The Running Man" (2025) | ||
| Tue | 13:45 | |
| Sun | 17:15 | |
| Mon | 17:30 | |
| Fri | 19:00 | |
| Thu | 20:15 | |
| Savoy | ||
| [3D] "Predator: Badlands" | ||
| Mon | 15:00 | |
| Savoy | ||
| [2D] "Predator: Badlands" | ||
| Sun | 14:45 | |
| Thu | 15:00 | |
| Fri | 16:15 | |
| Savoy | ||
| "Bugonia" | ||
| Tue | 16:45 | |
| Thu | 17:30 | |
| Sat | 18:30 | |
| Mon | 20:30 | |
| Savoy | ||
| "One Battle After Another" | ||
| Sat | 15:00 | |
| Savoy | ||
| "The Silence of the Lambs" (1991) | ||
| Sat | 21:45 | |
| Savoy | ||
| "Wicked" (2024) | ||
| Sun | 20:15 | |
| Savoy | ||
| "Casino" (1995) | ||
| Tue | 19:30 | |
| Kinopolis | ||
| "Now You See Me, Now You Don't" | ||
| Thu-Sun, Tue, Wed | 13:30 | |
| Fri-Wed | 21:30 | |
| Kinopolis | ||
| "Predator: Badlands" | ||
| Thu | 20:30 | |
| Kinopolis | ||
| "Thu Running Man" (2025) | ||
| Sun-Wed | 19:30 | |
| Thu-Sat | 20:30 | |
| UCI Mundsburg | ||
| "Wicked for Good" | ||
| Wed | 20:30 | |
| UCI Mundsburg | ||
| "The Running Man" (2025) | ||
| Sun, Tue | 20:15 | |
| UCI Wandsbek | ||
| "Wicked for Good" | ||
| Wed | 19:45 | |
| UCI Wandsbek | ||
| "The Running Man" (2025) | ||
| Sun, Tue | 19:30 | |
| Mon | 19:45 | |
| Studio-Kino | ||
| "Die My Love" (OmU) | ||
| Thu | 17:00 | |
| Wed | 18:45 | |
| Sat | 19:00 | |
| Tue | 20:45 | |
| Sun, Mon | 21:00 | |
| Thu | 21:15 | |
| Studio-Kino | ||
| "Bugonia" (OmU) | ||
| Sat | 16:15 | |
| Sun | 18:15 | |
| Fri | 18:30 | |
| Thu | 18:45 | |
| Mon | 20:30 | |
| Wed | 20:45 | |
| Abaton | ||
| "Die My Love" (OmU) | ||
| Sun | 17:45 | |
| Tue | 19:00 | |
| Fri, Sat, Mon | 19:30 | |
| Thu | 20:00 | |
| Abaton | ||
| "Bugonia" (OmU) | ||
| Sat | 16:45 | |
| Sat | 19:20 | |
| Fri, Tue, Wed | 19:50 | |
| Sun | 20:00 | |
| Thu, Mon | 20:15 | |
| Abaton | ||
| "One Battle After Another" (OmU) | ||
| Sat | 22:00 | |
| Fri | 22:10 | |
| Wed | 22:20 | |
| Sun | 22:30 | |
| Zeise | ||
| "Die My Love" (OmU) | ||
| Thu | 16:45 | |
| Fri | 19:00 | |
| Tue | 20:00 | |
| Thu, Mon, Wed | 20:30 | |
| Sun | 20:45 | |
| Sat | 21:15 | |
| Fri, Tue | 22:30 | |
| Zeise | ||
| "Bugonia" (OmU) | ||
| Sun | 19:00 | |
| Fri | 19:45 | |
| Sat | 20:00 | |
| Mon-Wed | 20:15 | |
| Thu | 20:30 | |
| Zeise | ||
| "One Battle After Another" (OmU) | ||
| Sat | 20:50 | |
| Fri | 21:45 | |
| Zeise | ||
| "Keeper" | ||
| Sat | 22:30 | |
| 3001 | ||
| "Die My Love" (OmU) | ||
| SatSun | 19:00 | |
| Sun | 20:00 | |
| Thu, Fri, Mon-Wed | 21:00 | |
| Filmraum | ||
| "One Battle After Another" (OmU) | ||
| Sat | 20:00 | |
| Metropolis | ||
| "The Shape of Water" (2017; OmU) | ||
| Thu | 18:00 | |
| gezeigte Filmtrailer | zuletzt gezeigt vor | |
|---|---|---|
| "The Fearless Vampire Killers" (1967) | 1235 Wochen | Hier klicken für die Video-Playlist: |
| "Bugonia" (2025) | NEU! | |
| "Interview with the Vampire" (1994) | 454 Wochen | |
Come Into These Arms Again, And Lay Your Body Down: Diesmal zielte es emma offensichtlich eher auf "Vibes" denn auf Überschneidungen ab.
Denn die beiden Klassiker, die in der Trailershow gezeigt wurden, hatten keine Darsteller oder anderes kreatives Personal mit "Dracula: A Love Lale" gemeinsam - allerdings handelte es sich in beiden Fällen um Vampirfilme. Wobei der Romas-Polanski-Film aus den 1960ern - den wir zuletzt vor "America's Sweethearts" vor 24(!) Jahren gezeigt hatten - eher komödiantisch ausgelegt war, während das "Interview" knapp 30 Jahre später auf Gothic Horror setzte; Luc Bessons Werk versuchte eine Mischung aus Beidem.
